Long before one Stephen King held the honorary title of the Master of Horror, it belonged to a man named Edgar Alan Poe, way back in Victorian times. I’m willing to bet that most of you have heard the name, if not some of his stories. The most famous is his poem ‘The Raven’, the tale of a man haunted by the memory of his beloved and a raven. ‘The Raven’ is one of Poe’s poems, but he also has a wide range of short stories. Since it’s near impossible for me to pick just one to focus on, I’ve decided to do more of an author review.
First and foremost, Poe had one creative gruesome streak. Just how gruesome varies from story to story (or poem to poem). There are stories that are plain nightmare fuel; in ‘The Tell-Tale Heart’, a man kills the old man he takes care of, hides the body under the floorboards (a common theme in Poe’s work), only to be haunted by the sound of its beating heart. Poe also offers up some good Sherlock Holmes- type mysteries in ‘The Murder in the Rue Morgue’ and ‘The Mystery of Marie Roget’. Poe also captures some stories that bring up the very real horrifying times in history, including the plague (‘The Masque of the Red Death’), the inquisition (‘The Pit and the Pendulum’) and inside a Victorian era insane asylum (‘The System of Dr. Tarr and Prof. Fether). There are many more, covering many more macabre subjects.
The part, at least for me, that makes these stories so creepy, is that, after you’ve finished reading, you’re still not 100% sure you completely got it. That sense of confusion, of the unknown, leaves you wondering…and that wonder just amps up the horror.
Now, to leave you, I give you the poem of Poe’s work that isn’t only my favourite, but speaks to creator and dreamer in me:
Sonnet- To Science
Science! true daughter of Old Time thou art!
Who alterest all things with thy peering eyes.
Why prayest thou thus upon the poet’s heart,
Vulture, whose wings are dull realities?
How should he love thee? or how deem thee wise?
Who wouldst not leave him in his wandering
To seek for treasure in the jewelled skies,
Albeit he soared with an undaunted wing?
Hast thou not dragged Diana from her car?
And driven the Hamadryad from the wood
To seek a shelter in some happier star?
Hast thou not torn the Naiad from her flood,
The Elfin from the green grass, and from me
The summer dream beneath the tamarind tree?